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    <loc>https://www.hannahkane.co.uk/biography</loc>
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      <image:title>Biography</image:title>
      <image:caption>Biography Hannah Kane is a UK-based fashion and culture writer, lecturer, and fashion marketing and branding consultant. She is employed as a Lecturer in Fashion Marketing at the London College of Fashion (LCF), University of the Arts London, where she teaches across postgraduate degrees, including a Master of Strategic Fashion Marketing (MA) and Master of Business Administration (MBA) and is the Unit Leader for multiple marketing communications based units, integrating aspects of brand management and consumer behaviour. As a research writer, she specialises in emerging technologies such as artificial intelligence, extended reality, gamification and virtual brand spaces, among others. She worked as a freelance journalist for a variety of print, digital and broadcast clients before moving into editing magazines. In 2010 she co-founded and shortly after led the style, culture, and philosophy magazine PHOENIX. These areas remain a critical aspect of her writing. Her latest book The Style Thesaurus is out (launched October 2023) on the Laurence King imprint of Hachette UK and has since been translated into French, Italian, and Chinese. Her next book will be published in Autumn/Winter 2025. Under her creative content agency Hack Media she consults in marketing communications and produces editorial-style video and still photography content for use across multiple touchpoints. She is a regular speaker at industry events.</image:caption>
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      <image:title>Books - Art &amp; Makeup Laurence King, 2015</image:title>
      <image:caption>Co-writer and Editor for the makeup artist Lan Nguyen-Grealis’ best-selling book.</image:caption>
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      <image:title>Books - Pro Makeup Design Laurence King, 2019</image:title>
      <image:caption>Co-writer and Editor for makeup artist Lan Nguyen-Grealis’ successful follow-up book.</image:caption>
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      <image:caption>Saweetie, shot in LA. Photographer: Benjamin Askinas.</image:caption>
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      <image:caption>Maya Jama, shot in London. Photographer: Benjamin Askinas.</image:caption>
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      <image:caption>MARINA, shot in London. Photographer: Uzo Oleh.</image:caption>
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      <image:caption>Jorja Smith, shot in London. Photographer: Mike Blackett.</image:caption>
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      <image:caption>Anne Marie, shot in London. Photographer: Uzo Oleh.</image:caption>
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      <image:caption>Halsey, shot in London and interviewed in New York. Photographer: Mike Blackett.</image:caption>
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      <image:caption>MARINA, shot in London. Photographer: Uzo Oleh.</image:caption>
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      <image:caption>Betsey, shot in London. Photographer Mike Blackett.</image:caption>
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      <image:caption>RAYE, shot in London. Photographer Mike Blackett.</image:caption>
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      <image:caption>Anne Marie, shot in London. Photographer: Uzo Oleh.</image:caption>
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    <lastmod>2020-07-03</lastmod>
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      <image:title>Portfolio 1 | Celebrity Interviews - Olga Kurylenko | Actress Interview</image:title>
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      <image:title>Portfolio 1 | Celebrity Interviews - Gemma Chan | Actress Interview - Gemma Chan on Humans: I’d like to have a synth - probably a guy, but with the 30-day return policy .</image:title>
      <image:caption>Fresh from playing a cyborg in Humans, Gemma Chan tells Hannah Kane about racism in TV, boyfriend Jack Whitehall and disappointing her parents.</image:caption>
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      <image:title>Portfolio 1 | Celebrity Interviews - Binky Felstead | Talent Interview - MIC Graduate and Mummy Tribe Founder Binky Felstead Talks Motherhood, New Ventures, and When to Get Off the Emotional Rollercoaster</image:title>
      <image:caption>THE DITZY CHELSEA GIRL PERSONA IS GONE, AND BINKY HAS EMERGED AS A SAVVY, HONEST TIGER MUM</image:caption>
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      <image:title>Portfolio 1 | Celebrity Interviews - Hannah Murray | Actress Interview - California Girl: Game of Thrones Star Hannah Murray on Living the American Dream</image:title>
      <image:caption>The British actress first dreamt of moving to LA aged 16 on a family holiday, now she’s working with Hollywood’s greatest female directors.</image:caption>
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    <lastmod>2020-06-30</lastmod>
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      <image:title>Portfolio 1 | Celebrity Interviews - Nick Jonas | Culture Interview</image:title>
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      <image:title>Portfolio 1 | Celebrity Interviews - Nick Jonas | Culture Interview</image:title>
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      <image:title>Portfolio 1 | Celebrity Interviews - Nick Jonas | Culture Interview</image:title>
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    <loc>https://www.hannahkane.co.uk/philosophy/imagine</loc>
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    <lastmod>2020-07-04</lastmod>
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      <image:title>Philosophy - Imagine - War, Beautiful Ugliness, and a Brief Philosophy Of Cool</image:title>
      <image:caption>Is our species simply hardwired for war? Turns out not necessarily. True, in the Seventies two chimpanzee clans in Gombe Stream National Park, Tanzania were observed carrying out tactical, war-like maneuvers against one other. However, scientists have also observed ants and crows indulging in similar behaviour. It seems it’s not just our primate brain at work; pressure created by increased population in a certain territory is enough to spur a military approach. In fact, our nomadic ancestors were a relatively peaceful bunch.  In any event, to say that we’re hardwired for war is a rather fatalistic attitude. Surely one of the few benefits of evolution, despite all the modern-day neuroses it has bestowed upon us, is the development of logic and artistic sensibility; the search for beauty? Recently I have been thinking a lot about what makes something beautiful – since the definition cannot be the same for a landscape and a poem. What makes us, as a fashion magazine, or you as a consumer decide to choose one item of clothing over another? If you could pinpoint it, you’d be a millionaire. This is fashion as applied aesthetics. Taking it to the next level, what is it that makes something look “cool”? For boys in east London in 2014 it was cool to have a beard, dress like your dad, and be good at Photoshop. Try too hard to tick all the boxes and you become a hipster… Which is the mystery of how everyone who tries to look different ends up looking the same. Schrodinger’s cool cat if you will. Conversely what makes something look “commercial”? Can something be both cool and commercial, or does marketable perfection make products inherently bland and short on artistic merit? The French have a wonderful phrase for it – “jolie laide”, or “beautiful ugly”. There are countless examples of supermodels that fit the bill: Lily Cole’s wide-set eyes and rosebud mouth give her a doll-like appeal, regardless of the fact that they contravene Plato’s “golden proportion” according to which the width of the face should be two thirds of its length, with a nose no longer than the distance between the eyes. Erin O’Conner’s haughty, aquiline nose and incredible height give her alluring androgyny. Where Kim Kardashian fits into all of this, I have no idea. Why does it even matter whether people think we look cool or not? In the Nov/Dec 14 issue of Philosophy Now Thorsten Botz-Bornstein links Stoicism and hip hop. “The aesthetics of cool developed mainly as a behavioral attitude practiced by black men in the United States at the time of slavery. Slavery made necessary the cultivation of special defence mechanisms which employed emotional detachment and irony.” So, Botz-Bornstein writes, ‘cool’ represents a “paradoxical fusion of submission and subversion”. Behavioural scientists take a different tack, distilling the phenomenon down to four main traits. First, cool is a social perception, not an inherent quality. Dressing like your Dad, ‘normcore’, as it was helpfully labeled by the fashion press, later dubiously transcended into ‘dadcore’ by one of my third year fashion journalism students, wasn’t cool until tattooed twenty-somethings in Dalston did it. Second, some say coolness is relative. This jacket from Sandro might seem cool compared to another jacket from Sandro, but neither will ever be as cool as a jacket from Saint Laurent. Third, coolness is almost universally positive. And fourth, something that’s cool tends to diverge from the norm. Schrodinger’s cool cat pads back into the room. Over the course of history, man has been at peace more years than he has war – so technically it’s truer to say we’re hardwired for peace. And yet the fight to be cool rages on daily all across the globe. We crave to fit into the herd, yet we also rail against it. Whether we’re packing a grenade or a Louboutin stiletto, we’re strange and conflicted creatures. Perhaps our only option is to make peace with this contradiction; and look for the beauty in every ugly place we find ourselves.</image:caption>
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    <lastmod>2020-07-03</lastmod>
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